Ella Emerson - Blog Tour!

The Palm Beach Princess Series

Although THE VANILLA BET is a standalone novel. It is the first book in The Palm Beach Series.

Each book will center around a group of girlfriends and their quest for love.

Vanessa Summers is our first girl in The Vanilla Bet and although she is not from Palm Beach, she is definitely learning the ropes from her best friend Maxine.

Maxine will be featured in the second book in this series titled RENDER ME SPEECHLESS.

Maxine has the hots for Darren and one sunny afternoon she shows up to his apartment and he has vanished without a trace.

Render is Darren’s brother who travels from Texas to find his brother.

Together Render and Maxine must figure out where and why Darren has left.

This will be a fun ride to discover Darren’s past and Maxine’s and Render’s future.

Kristine, Meghan, and Piper will all have books of their own as well. Get to know all of the Palm Beach Princesses.

THE VANILLA BET

Synopsis:

Trace Weston lives in the beautiful Palm Beaches. A college student who would rather party his life away than accept his father's company. He loses a bet at a college party and has to have a "vanilla" relationship with a girl he has never met.

Vanessa Summers, moved to Florida to attend college for her love of the arts. She also left behind a dark past that haunts her every day. She meets Trace and is instantly taken with his irresistible charm. Will she be able to keep her secrets hidden? Will Trace be able to help her find the answers to what she is searching for? Will they be able to find who and what is trying to keep them apart?

This book is not suitable for persons under the age of 18. STRONG LANGUAGE, SEXUAL MATERIAL, and INTENSE VIOLENCE.

AMAZON BUY LINKS:

US: https://www.amazon.com/dp/B00T3QWQZE

UK: https://www.amazon.co.uk/dp/B00T3QWQZE

GOODREADS:

https://www.goodreads.com/book/show/23350486-the-vanilla-bet

AUTHOR LINKS:

www.authorella.com

www.facebook.com/ellaemerson325

www.twitter.com/AuthorElla

Amazon:  amazon.com/author/ellaemerson
Find me on GoodReads:  https://www.goodreads.com/EllaEmerson
Come and Follow me on Bloglovin:  http://www.bloglovin.com/ellaemerson

This tour sponsored by 4WillsPublishing.wordpress.com.

And Now For Something Completely Different!

I got my hair done at a salon yesterday for the first time in forever. I wanted to post them to Pinterest and tag Salon Spaulding and my awesome stylist Marielle Lubrano but I can't pin directly from facebook. 

Lame. 

So I'm putting the pics here so I can pin them. 

Here's the only thing that makes it even slightly appropriate for my indie authors and reviews blog. It's me with a book I edited! :)

I super suck at selfies. But I'm awesome at alliteration!

And here are the rest of them. They aren't professional, obvs. My husband snapped them. I had to hold Bonnie or she would be into something dangerous immediately.

I super love it! Thank you Marielle! You rock! 

Interview with Andrew Ritchie, author of Red Plus Zone!

Welcome Andy! I loved your first trilogy - The Book that THEY Do Not Want You to Read - and I'm so glad you wrote Red Plus Zone. It's one of my new favorites! Or, should I say favourites? 

Anyway, let's get to it!

Can you tell us a little about Red Plus Zone?

Red Plus Zone is set in the near future, some eight years after a global cataclysm that has become known as The Shattering. As a result of this event, time is no longer constant and uniform, and it moves more quickly and more slowly in different places. Sometimes the transition from where time goes fast to where times goes slow (or vice versa) is gradual, but in other places, it is sudden – these places are called fractures. It is at a fracture where the book starts, with a body that has been nailed out across a fracture so that one half of it has seen the passing of decades, and has been reduced to little more than a skeleton. It is the investigation of this murder that forms the basis of the book.

What was the inspiration for Red Plus Zone?

The first idea for Red Plus Zone came whilst I was thinking about ideas for short stories. I was trying to come up with something really original, something that I didn’t think anyone had written about before. I thought about time and wondered what it would be like if time moved at different rates in different places. From there, the idea just grew.

Red Plus Zone (RPZ) is sci-fi, right?

Yes. The key premise of the story is what would the world be like if time ceased to be uniform and constant. That, in my eyes, places the book firmly in the sci-fi arena.

Why did you add the crime element? Why did it need to be sci-fi and a detective book?

It was the original idea where a dead body could be found in two different states (just dead and dead for decades) that dictated the crime element. It was a natural progression to then have the body ending up in the situation it was found in due to foul-play, and therefore a further simple step to have the solving of the crime as the key storyline.

Where does your story take place and when?

The story takes place in and around the fictional town of Charwood, which is not-so-loosely based on Blackburn and the surrounding area in the north-west of England. It’s an area where I’ve lived all my life and I think it makes a good backdrop for the story because there is an ‘ordinariness’ about the place, and about the people who live in it, which (hopefully) those who read the book will be able to empathise with.

What makes you feel that Sam McCall is compelling enough to be in a series? I think he is, just want to know why you think so.

As the development of Red Plus Zone progressed, so Sam became more and more important. Originally, the main focus of the story was on the ‘shattered’ world and how difficult it would be to exist in a world where time is broken; there was also a lot of emphasis on how society might recover from such a monumental cataclysm, and what shape that society would start to take. But over time, it became apparent that it was important for readers to have an anchor in the narrative, something they could relate to and empathise with, and so the character of Sam McCall began to grow in importance. As it did, so it became necessary to give Sam’s character depth, not only to increase the interest in him, but also to use him as a vehicle to look back on events in the past, such as when the UK was under Martial Law immediately after The Shattering.

This isn’t your first book, right? Tell us about your trilogy.

The Book That THEY Do Not Want You To Read (Parts 1, 2 and 3) are quite different from Red Plus Zone in style, though they too would sit firmly on the sci-fi bookshelf. They recount, through the words of his diary, the adventures of Jethro Postlethwaite (also of the north-west of England) following his encounter with an alien Ambassador called Tukaal, whereupon Jethro has to go on the run, is injected with alien memory oil so he starts to remember things which happened to someone (or something) else, is captured and tortured, escapes, goes on the run again, discovers the true nature of man’s existence, learns about Emotional Energy and W.I.M.D.s and comes face to face with a powerful alien overlord known as The One...along with a load of other stuff!

Those who have read it have kindly likened it to Douglas Adams – and there is no greater honour than that!

Why did you choose independent publishing over main-stream?

Necessity really. I’d tried to get publishers and agents interested in both The Book That THEY... and Red Plus Zone, but with little joy. Red Plus Zone in particular was met with many favourable comments, but no-one seemed prepared to take a leap of faith with it. If you have real belief in a book, that’s frustrating. Independent publishing (I’ve used Autharium, who have been awesome in their support) means you can get your work out to an audience and (hopefully) get some real feedback from them. The challenge of going down the independent publishing route is getting your book noticed, which is certainly not easy.

When I worked with you to edit RPZ, what was your favorite part of the process and your least favorite?

To be honest, I enjoyed the whole process. When you’ve spent so long working on a project and you’ve become so intertwined with it, having someone take a cold, hard look at what you’ve done and not be afraid to tell you where it’s soft and where it’s flagging is really refreshing. Yet it’s hard as well, because sometimes there’s sections that you’ve written which you really like and you’re really pleased but you’re told that they slow the pace too much and either need to be shortened or even culled. That’s hard, but that’s what an editor needs to do, tighten the book up, making sure that it keeps the reader fully engaged.

How do you feel RPZ benefited from the editorial process?

RPZ definitely became a better book after the editorial process – it felt crisper, less flabby. And there was a confidence in it that I didn’t have before, the sort of confidence that comes from having someone independent read through your story and then confirm that it makes sense, that it’s enjoyable.

Have you started on Sam McCall novel number 2?

Yes and no – I have a solid idea for the second book that will probably be darker than Red Plus Zone, but I haven’t started writing it in earnest. I’ve always worked on the principle that I wouldn’t start a sequel until I was confident that there was sufficient interest in the first book and that it had been well received by those who had read it. I guess that’s why I’ve never got round to writing The Book That IT Doesn’t Want You To Read, because the first book (albeit a trilogy itself) didn’t take off. Also, I’m currently working on a novel called The Peculiar Case of God vs Pratt.

Thanks again for the interview, Andy! It's been a pleasure.

If you haven't gotten your copy of Red Plus Zone yet, do it today! You'll be glad you did. 

Connect with Andy on facebook and his website. 

Interview with Carolyn Crane!!

Hi Carolyn and thank you so much for taking the time to share with us! I just discovered you recently, actually, Tuesday the 16^th of December, 2014. I ran out of Karen Moning, Jim Butcher, Diana Gabaldon, Ilona Andrews, and Kevin Hearne books so I asked the Googles which indie authors were similar to Ilona Andrews, I think. Your name popped up so I went to Goodreads and read the cover copy for Mind Games.

OMG. Love at first sight! If any of you readers haven’t discovered Carolyn yet, here’s a link to her Goodreads page. You’ll thank your lucky stars. I have finished the whole trilogy and I’m totally fangirling. 

--April!! Thank you so much for this fabulous intro! And for taking my series for a spin and having me to your blog!! Wow, those are some of my favorite authors up there that you listed off. How cool that my name popped up. Especially Diana Gabaldon – she is who kind of who got me into genre fiction and helped me rediscover my passion for reading exciting books.

Anyway, I saw on your Goodreads profile that you used to be main-streamer, published with Random House and Samhain, but now you have gone the indie route.  I would love to hear your story. I’ve put some questions below but feel free to offer any additional bits you feel like.

Here we go:

Q: Your first book was Mind Games, right? I’m assuming The Disillusionists trilogy was published through a major publishing house. I indie published a trilogy, my first books ever, and was considering querying agents for my next one but I can’t decide. Can you share with us a bit of what the main-stream experience was like from query to contract?

Yes, my first book (published) was Mind Games. I’d written a few before that were not picked up. ( A good thing now that I look back!)  I found my agent, Cameron McClure, on Agentquery.com and queried her cold in a group of 10 agents for the Mind Games manuscript. She asked to see it and then she wrote back that she liked it, but she wanted to see things changed (it was set in the future! And she was like, why does it have to be the future?) Her comments on that and other things made sense; I converted it to present time and she took it on. It was sold to Spectra, an imprint of Random House. At the time—it was sold in 2008—going indie was not a very viable option in my mind. So it was huge for me.

There is something really wonderful about being published by a big publisher when you’d been dreaming of it for a long time. Every step was kind of fun, from the editor interaction to the cover design stuff and talking with my agent. I really felt like Cinderella for a lot of it, though the waiting was just excruciating (20 months!) However, I was a small fish in a big pond, less than a midlister, and so, it was a little sink or swim. It was a two-book deal, and when Mind Games didn’t sell that big after a few months, they decided to drop the series at two books. I was devastated. And, I’d written it as three, and I could not change it. So I published the third through Samhain.  

Q: What made you decide to go indie?

I got a taste of it doing an anthology with Jill Myles and Meljean Brook. It was 2011 and it seemed so radical to me at the time, and fun. And I liked the immediacy and excitement, so I kept doing it. I sort of look at being dropped by Spectra as a blessing in disguise, because I enjoy the freedom of being an indie, and I feel I’m suited to it.

Q: As someone with experience on both sides of publishing, how does self-publishing compare to being backed by the big guys?

I think the decision between going indie or the publisher route is sort of a temperament thing, like, asking which is better? City or rural living? It depends on the person. There is something seriously wonderful about only having to write a manuscript and do promo (because, indie or published, that promo will fall on you. I think my publicist at Spectra sent the book to RT Magazine and that was pretty much it). But they did a lovely editing job and put out a nice product and it got into stores where I could go see it. That was wonderful.

With self pubbing, you’re in charge of everything. You control it all. It’s exhausting and it can be scary, too. I made tons of mistakes starting out. Just dumb stuff, like awful covers. But you learn, and when you have control, you can support your books in the marketplace in a way you can’t when they belong to a publisher – you can make bundles and play with the pricing and cover and stick it in anthologies and all kinds of things. So you win or die by your own sword, kind of. I like it, though. And you make way better money per book, of course. I make way more money on a 2.99 book compared to a $5.99 copy of Mind Games. I think if I wrote faster, I’d try to get a series with a regular publisher in addition to the three I’m writing nowadays. Because I like diversity.

Q: Speaking specifically about PR and marketing, do you feel that being main-stream helped get your brand out there? As an indie, what has worked and not worked for you?

I think being first published mainstream helped lend me credibility, in a way, but I don’t think it did much marketing-wise. Also, when I went indie I jumped genres from urban fantasy to romantic suspense, and so I was starting over with a new group, in part. Some people followed me, but not all of them.

As for what works…with both my series (The Associates spies books and Taken Hostage by Kinky Bank Robbers) I just hit 3 books, and that has been important. Consistent quality, a strong visual cover look, and at least three books is kind of where the game starts. With the bank robbers, I created a 3-book bundle with an attractive price, set the first free with a strong plug for the bundle in the back (creating a sales funnel) and advertised the hell out of the freebie, like with email ads like freebies listing and bookbub type ads. I took a huge price hit, but I made more that month than I ever expected and my newsletter list built like wildfire. That worked miles better than anything I’ve ever done. So I’m going to do something similar with my RS series once I have the 4th out. I learned about sales funnels in Write Publish Repeat. I don’t agree with everything in that book, but the sales funnel info is great. I’d also recommend The Naked Truth About Self Publishing.

I’m also trying to do facebook more. Some of the most successful authors seem to be great facebook users and I believe it is important, kind of to gather a tribe. Honestly, just getting out there and trying to do anything and seeing what works is important. You never know what will lead somewhere.  And getting on indie loops or reading something like the kindleboards is key, too. There is so much to know.

Q: What advice would you give indies regarding the mystical “platform building” concept?

Lol it is mystical!! I am not that good at this stuff, either! My “author brand” is a little slapdash.

Q: What parts of the publication process do you outsource? Examples: Covers, editing, website?

I outsource covers—I’ve had good results with Book Beautiful, Earthly Charms, and Novak Illustration. I have several critique partners where we exchange early drafts, I run the spy books through a developmental editor, I typically use 2 proofreaders after that. I’ve just started having BB ebooks Thailand do my formatting—I was doing that myself. I’m pretty good, but you can’t beat BB for excellence and cost.

Q: What self-publication service do you prefer and why? Have you tried others?

I would not recommend those services. I feel like with a bit of education you can do a better job yourself.

Q: How do you feel about the whole Kindle Select and Kindle unlimited schemes?

Oh, that is quite the controversy! I can see where KU feels like a leg up to authors, but I don’t like it for my own goals, which are long term. I feel it is not in my best long term interests to ignore other vendors, especially iBooks, in order to cater to people who want cheap books and likely won’t convert into real buyers. I feel like it’s critical to get a foothold with the other vendors early and build an audience—iBooks, Google Play, Kobo, B&N—they’re all important. I have actually gotten emails from people who have said things like “I don’t read, but I tried your free book from my iBooks app and went on to buy the others.” Like, iBooks is creating new readers! I will not be ignoring them.  

Q: What about bookstores? Are you doing mostly online sales or have you approached brick-and-mortars like B&N?

I haven’t tried. I tell people they can order mine from a B&N, but I don't know if they do. So, I’m all online.

(If you don’t use Createspace skip this question)Q: It seems that most bookstores want a 40% wholesale discount with returns. Createspace seems to be standard at 20% or so and defaults to non-returnable. Do you know how to change that?

Hmm – I haven’t tried this route! Maybe skip this. I guess I’m passing over the brick and mortar game.

Q: What do you feel has been the most important factor of your success – aside from your overwhelming talent and skill, of course.

You are so lovely to say that!! Xoxo. It’s been really hard for me to let go of the idea that if you write a good book, it will just do well. It has been important for me to work against it embrace the more methodical, boring business side. Or, like, to study what successful authors do and just do that. (Because, If I have free time, I want to be writing!) So, it’s a process I’m in now, but I feel like, that’s where doing this funnel came from.

Q: What is the biggest mistake you’ve made as an author/publisher?

Doing my own covers. They weren’t bad, but they were not good. Also, ignoring genre niches.

Q: Are you a member of any book clubs, writer’s guilds, or associations of any kind? If so, which ones would you recommend?

I’m a member of RWA (Romance Writers of America). I love them, and they’re very indie-supportive. I just joined NINC.

Q: What is your biggest pet peeve regarding self-publishing?

I hate when traditionally published people automatically think I look down on their choices. I think there has been too much “I’m right, you’re wrong” self pub talk by a few people and it has created a climate of polarization.

Q: Regarding income, both in general and per book, do you feel like you earn more as an indie than you did/do being backed by a big name?

I know I earn more per book now.  You get 70% on a typical self pub book, but In NY publishing, you get 25% …meaning of that 70%, so what is that? 18%? And print is less. With smaller pubs like Carina or Samhain, you do a bit better and get more personal treatment, and that’s a nice route for a lot of people. I didn’t get any really huge advance from Spectra, so I think I matched my NY pub income after two years. And I feel like the opportunity to make more is there as an indie. For me, anyway. Some people thrive with a publisher.  Somebody like Kevin Hearne is probably doing better with a publisher than he would on his own. That’s just my opinion but they have him in stores in a way you don’t see as an indie.

Q: Have you considered/attempted adapting any of your books for TV/movies or pitching such a prospect?

Omg, the Disillusionists was optioned by a production company to pitch to CW as a TV series!! It didn’t get picked up but wow, was that ever exciting!!  They took Kim Harrison’s series instead.

Thank you so much for your time. I’m sure your answers will help both aspiring and veteran indies out there.

Hey, I’m so glad you reached out! This was fun and you asked such great questions. And I so appreciate the kind words about the Disillusionists—you’re an author, you know how much that means.

It’s been an honor to have you with us, sharing your experience. I wish you JK Rowlingesque success!

Links:

For books and info from Carolyn Crane click here.

For books and info from her kinkier alter ego Annika Martin, click here.

Follow her on twitter @CarolynCrane or just click here.

Keep up with her on facebook too. Click here.

For her newsletter click here.

Bio:

I am a RITA-winning author of romantic suspense, urban fantasy, and other tales of love and adventure. I’ve been published by Random House and Samhain, and I presently go the indie route. I work a straight job as a marketing writer, I love to run and read in bed, I’m passionate about helping animals, and I make my home in Minnesota with my husband and two cats.

The Process of Writing - Second to Third Draft

Third Draft:

It was a steamy summer day in Montgomery Texas. [D1] I was shopping on my lunch break at HEB and came across a bright green box with a sexy lady silhouette on it that read, “Chinese Super Dieters Tea.” I’ve always struggled with my weight and the idea of a tea that would help me shed pounds was enticing. I bought it and went back to work.

The office was busy and under-staffed, [D2] as usual. At the time of the incident [D3] I worked for an optometrist’s office and ran the fr[D4] ont desk. Before returning to my post [D5] I followed the instructions on the box: steep one tea bag in a covered cup filed with boiling water for no more than two minutes.

With that done[D6] , I added some sweet n low and took it to the front desk with me. The afternoon [D7] rush hit. The waiting room was full of people either waiting to be seen by the doctor or choosing[D8]  glasses. The phone was ringing off the hook. Just another typical day[D9] .

Suddenly,[D10]  I began to feel a terrible pain[D11]  in my bowels. Cramps seized me, followed by gurgle gut[D12] . A cold sweat broke out on my [D13] forehead. Every muscle strained with the effort of not exploding diarrhea out of my butt in front of all those people. There was no one to take over the front desk[D14]  so that I could run to the toilet. To make things worse, the only restroom in the whole office was a public[D15]  one right there in the waiting room.

Nothing was left to the imagination with that restroom[D16] . My coworker would listen to make sure people washed their hands before they came out. It [D17] didn’t matter anyway; I’d have to go right there in front of everyone.[D18]  I wouldn’t make it if I tried to go somewhere else. I had to go, and I had to go RIGHT NOW!

The moment finally came. The [D19] rush settled and the waiting room cleared.[D20]  I bolted to the bathroom.

Hollering, “You cover the front!” to nobody in particular, I closed and locked the door.

I turned on both the hot and cold water at full strength just to try and mask some of the noise that was sure to come. I was still [D21] cold-sweating and doubling over with cramps. I hadn’t had any children yet but I was pretty sure it would feel like this. [D22] 

***[D23] 

I’ll stop here and spare you the details of[D24]  hot[D25]  lava spraying from[D26]  my anus like Mount Vesuvius into the toilet of Pompeii. Suffice it[D27]  to say, I never took the “diet tea” at work again. I re-[D28] named it “poo tea” because that’s really what it was. That’s all it did. Not[D29]  exactly the type of weight loss I was hoping for. Take it from me; you don’t want to try it!

---

 [D1]changed

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 [D7]added

 [D8]changed

 [D9]changed. I know it’s a fragment but I choose to keep it for style purposes.

 [D10]comma

 [D11]changed

 [D12]changed

 [D13]cut “face and”

 [D14]changed

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 [D16]changed

 [D17]cut “You could hear everything people did in there!”

 [D18]added

 [D19]changed

 [D20]made 2 sentences

 [D21]added

 [D22]added

 [D23]I added this since the POV changes.

 [D24]changed

 [D25]cut “my butt and”

 [D26]changed

 [D27]looked it up. This is correct.

 [D28]added

 [D29]changed

Jeffrey VonGlahn Blog Tour

BOOK BLURB:

Jessica had always been haunted by the fear that the unthinkable had happened when she had been “made-up.” For as far back as she could remember, she had no sense of a Self. Her mother thought of her as the “perfect infant” because “she never wanted anything and she never needed anything.” As a child, just thinking of saying “I need” or “I want” left her feeling like an empty shell and that her mind was about to spin out of control. Terrified of who––or what––she was, she lived in constant dread over being found guilty of impersonating a human being.

Jeffrey Von Glahn, Ph.D., an experienced therapist with an unshakable belief in the healing powers of the human spirit, and Jessica, blaze a trail into this unexplored territory. As if she has, in fact, become an infant again, Jessica remembers in extraordinary detail events from the earliest days of her life––events that threatened to twist her embryonic humanness from its natural course of development. Her recollections are like listening to an infant who could talk describe every psychologically dramatic moment of its life as it was happening.

When Dr. Von Glahn met Jessica, she was 23. Everyone regarded her as a responsible, caring person – except that she never drove and she stayed at her mother’s when her husband worked nights.

For many months, Jessica’s therapy was stuck in an impasse. Dr. Von Glahn had absolutely no idea that she was so terrified over simply talking about herself. In hopes of breakthrough, she boldly asked for four hours of therapy a day, for three days a week, for six weeks. The mystery that was Jessica cracked open in dramatic fashion, and in a way that Dr. Von Glahn could never have imagined. Then she asked for four days a week – and for however long it took. In the following months, her electrifying journey into her mystifying past brought her ever closer to a final confrontation with the events that had threatened to forever strip her of her basic humanness.

BLOG POST:

In this excerpt, I had been seeing Jessica for over a year. I was still struggling with how I could help here to be more open about herself. That problem had started in her very first session. At the start of it, I had asked, “What can I help you with?” Without a moment’s hesitation, she said, and in quite a forthright manner, “When my husband works nights, I have to take my three-year-old daughter and go to my mother’s for the night.” Then she closed her mouth and stared at me. Every session for many months after that started in the same exact way: She’d keep staring at me until I asked her a question. 

I knew I had to do something about Jessica’s continuing guardedness about herself. I had a foolish urge to ask Jessica herself about this, but, fortunately, the notion flew out of my mind as fast as it had entered….I finally developed what I thought was a rather creative idea. Little did I know that…I would make an unexpected discovery: for all these months, I had been laboring under a delusion about who was sitting across from me; and, in fact, I had been deluded from the moment Jessica first stepped into my office….

One day, after Jessica finished venting her feelings about whatever had troubled her since the last session, I said I had a question, gave her a warm smile and said, “How do you feel about me trying to get to know you?”I sprang this question on her without any warning, for a very specific reason. I hoped it would force her to react on the spot, before her defenses had had a chance to get organized. I was tired of listening to bland reports of incidents that had already happened, after her psyche had transformed them into emotionally sterile recollections….

Even though I had never before asked her anything even remotely similar, she replied immediately. It was as if she had been expecting my question from the very start of therapy and had been steeling herself for it ever since.

“You’re just a computer,” she quickly began. She sounded like a professor who was impatiently explaining a fundamental point to an obtuse student. “You’re just a thing I put information into and get a program back. You can’t be human. You can’t have any feelings.” Then her words stopped as abruptly as they had started. She stared blankly at me.

It felt like a million light bulbs went off in my head. I immediately thought, “No wonder I’ve had such a hard time reaching her. In her mind, I’m not a person. I’m just a pile of electrical parts!”

When Jessica looked at me, did she see that I was a human being? Of course she did. Yet, that reality wasn’t enough for her to overcome her fear about relating to me as a human being. Why she wasn’t able to do that was beyond my comprehension. I just couldn’t understand how she could see me as something other than human, after I’d spent months of unrelenting effort trying to reach her.

Her chilling answer was one I might have expected from a robot, not from someone who functioned in society, talked face-to-face to me, and, aside from her inability to stay home alone at night and her fear of driving, behaved like an ordinary person. I had never felt so estranged from another human being in my life.

PURCHASE LINKS:

"JESSICA:  THE AUTOBIOGRAPHY OF AN INFANT" by Jeffrey Von Glahn http://www.amazon.com/Jeffrey-Von-Glahn-Ph-D/e/B007X6UNP6/ref=sr_ntt_srch_lnk_2?qid=1420255689&sr=1-2

CONTACT INFO:

Twitter:  @JeffreyVonGlahn

Website: http://JeffreyVonGlahn.com

*Jeffrey Von Glahn - JESSICA: AN AUTOBIOGRAPHY OF AN INFANT - www.amazon.com/dp/B00IUCKOD8/

~Goodreads Event Page - https://www.goodreads.com/event/show/950887-jessica-an-autobiography-of-an-infant-tour

~Rafflecopter Page - http://www.rafflecopter.com/rafl/display/4af5be7f7/?

***This tour was sponsored by 4WillsPublishing.wordpress.com  To book your own tour, please contact us.***